Alistair Newton’s production of King Lear starring Diane D’Aquila begins with two black doors swinging open as her throne moves downstage where she is joined by The Fool. She sits there looking small and groggy. The Fool opens the doors of a music box, resembling the ones onstage, to reveal a miniature of Queen Elizabeth I. As the music continues to play, the stage is bombarded with people to assist Lear getting dressed. Lear hangs there like a rag doll wearing a white nightdress while she is strapped into a corset and an overwhelmingly large black dress reminiscent of the mini Elizabeth. The idea of being trapped in a box or manipulated by others is quite clear.