A Midwinter Midsummer

So far in 2018 I’ve seen four Shakespeare productions and I’ve written about none of them! The first three were all good Shakespeare shows with top quality actors and clear staging. If my goal in watching ten million Shakespeare shows a year is just to watch plays that tell the story really well then all of the shows succeeded. But I like watching Shakespeare that makes me see the story and the characters differently and The Chekhov Collective’s Midsummer Night’s Dream made me think about the play differently.

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Elizabeth Saunders as Egeus/Puck. Photos from Chekhov Collective.

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The Tragedy of Romeo and Juliet

Romeo and Juliet is the most adapted work in Shakespeare’s canon and continues to be replicated through different mediums time and time again. And for a girl who lives for crazy adaptations of Shakespeare, I was completely and utterly in love with Stratford’s simple, “traditional,” and tragic Romeo and Juliet. Just when you think I’m gonna zig, I’m gonna zag.

It was a beautiful production directed by Scott Wentworth that was clear and emotionally moving and felt incredibly fresh. I put quotations around traditional because, despite its period appearance, the show had a buoyancy and a spirit that lived within the same realm as productions that adapt the show somehow, which made it feel modern. They even threw in some non-Shakespeare lines! The show gave the lead characters (played by Sara Farb and Antoine Yared) and the impact of their deaths respect rather than treating them as silly romantic children. Except when they were acting like children.

Romeo & Juliet, Stratford Festival 2017
Antoine Yared as Romeo and Sara Farb as Juliet. Photo by Cylla von Tiedemann.

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Four Twelfth Nights

In 2017, I have seen four productions of Twelfth Night. And Twelfth Night began as one of my least favourite plays.

The first show I saw was Shakespeare Bash’d’s production at the Monarch Tavern. Then in April I saw the Public Theater’s mobile unit production in New York. Then in June I went to Stratford, ON and saw their production of Twelfth Night. Finally, last night I saw Shakespeare in High Park’s version. Phew.

What I have discovered at the end of my Twelfth Night journey is that I really like some stuff about Twelfth Night. But I’m going to say right away that I am super biased about what I think classifies as a “good” Twelfth Night. So what I am going to do is go through each of the four Twelfth Night productions and think about what I found interesting about each and how I ended up as a girl who sorta likes Twelfth Night (maybe?).

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An All’s Well That Keeps Fighting

I recently went to see Shakespeare in High Park’s production of All’s Well That Ends Well (directed by Ted Witzel). I was so excited to see this show because, not only does SiHP put on a fun show, but this is a Shakespeare show that is rarely done. It is a complex, dark comedy and includes an ending that ends ‘well’ but leaves you questioning whether that is good enough. It places you in a world where people have the right and the ability to determine whether you are worthy or not.

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A picture I took of the preshow stage

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